If you're already enmeshed in the Portland art scene, you've likely heard the name "Jessica Jackson Hutchins" float around. Jackson Hutchins' tactile works transform everyday objects into art forms that are both intimately familiar and reverently heightened, and her ambitious, playful style is instantly recognizable. For Killer Maker, a "conversation with art objects," she's paired with Justine Kurland, an NYC-based artist and photographer whose motherhood-inspired series Of Woman Born depicts nude women holding babies dotting a verdant landscape. (The series, created nearly 20 years ago, feels prescient in the wake of the Supreme Court's Roe v. Wade reversal.) Jackson Hutchins' bodily assemblages of ceramics, furniture, and "pulped paper growths" respond to Kurland's photographs, but offer "discordant unions." by Lindsay Costello