While you're at PNCA for Converge 45, stopping by Rebirth, Rememory is a no-brainer. Curated by Morgan Rice, PNCA's Low Residency in Visual Studies MFA Curatorial Fellow, the show “investigates colonial strategies of erasure via incarceration and selective history” through tarot card imagery, digital video installations, and more. I was moved by the inclusion of a bench with inscriptions carved by detainees at 511 NW Broadway from 2003-2013. (The school's building was once a US Immigration and Customs Enforcement facility.) The bench offers clear-cut evidence of one of the exhibition's central points—that mark-making has the power to combat institutional erasure.