The following description comes from the event organizer.

Radio III / ᎦᏬᏂᏍᎩ ᏦᎢ is an Indigenous futuristic concert, a beautiful and uncomfortable dance performance, and a perverse triangle of shifting power that seeks to be unfaithful to both minimalism and postmodern dance’s claims to so-called “neutrality.” In this work, we seek to live, layer, and situate form in our bodies, which evoke past, present and future possibilities.

Choreographed and performed by Hanako Hoshimi-Caines, Zoë Poluch, and Elisa Harkins, with music composed by Elisa Harkins, Radio III was borne in part from our common interest in minimalism in art and music. We asked: How can we work on the performativity and spatial principles of minimalism while questioning the universalism associated with this aesthetic? We made a dance that haunts the recognizable toolbox of abstraction, form, repetition, and pattern by striving to make visible what has been kept invisible in colonial systems of recognition and aesthetics.

Interdisciplinary and counter-colonial, Radio III / ᎦᏬᏂᏍᎩ ᏦᎢ questions invisibility and visibility, simultaneity and pluralization. The work explores ways of displacing and situating Western contemporary dance and theory, making it an “as well” and a “next to.” In creating the piece, we did not look for a universal hybrid aesthetic but hoped to create a particular form from our different histories, artistic and cultural educations, and experiences brought together with sensitivity and inquisitiveness.

The intention of Radio III, a larger work that includes Elisa Harkins’ solo Wampum performance, is to create a metaphorical peacekeeping agreement between the performers in the work as well as with people watching the piece, regardless of tribe or race.