What is the value of a comforting lie? That’s the question at the heart of Last Flag Flying, Richard Linklater’s sort-of sequel to 1973’s The Last Detail, in which three Vietnam vets reunite after decades apart to bury a casualty of the Iraq War. None of them can quite agree on how much truth can be humanely dispensed in the wake of a tragedy. Fuck if I know either, and fuck if Linklater knows, but he sure is willing to puzzle it out. Like a lot of Linklater movies, Last Flag Flying is better at asking questions than responding to them, and there are no easy answers here. So Linklater does what he does best: He establishes characters who feel like real people, then set them against problems that are hard to solve. If they haven’t solved them by the time the credits roll, well, that’s how it goes sometimes. by Ben Coleman