Last year, On the Boards rocked my little COVID bubble with their presentation of A Thousand Ways, 600 HIGHWAYMEN's intimate and interactive bit of autotheater. In a similar move, for the next couple of weeks, the theater will present an adaptation of New York-based choreographer Faye Driscoll's Come on In, an experiential exhibition that invites audience members to "reconceive the body and its limits." Originally presented and co-commissioned by the Walker Art Center in Minneapolis, this piece has been specifically adapted to OtB's Merrill Theater. Come on In is crafted around audio pieces called Guided Choreography for the Living and the Dead that visitors listen to via headset on raised beds inside the space. On OtB's website, Driscoll says that as the audience her voice "they are guided into a private dance and become a collection of slowly moving sculptures. They become my work." Margo Vansynghel over at Crosscut wrote that the performance space looks like "a spa from some uncanny valley." Doesn't that sound nice?