Everything was beautiful, and nothing hurt. grapples with the incredible paradoxes of human experience, considering the contradictions of trauma, beauty, cruelty, and love. The exhibition, which derives its name from a line in Kurt Vonnegut's Slaughterhouse-Five, compiles moving image installation works from the Henry's collection, including pieces by Rashid Johnson, Kaari Upson, Lutz Bacher, Sue DeBeer, and Candice Breitz.
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