Nina Chanel Abney describes her work as “colorfully seductive” and “deceptively simple,” and she's not wrong—influenced by modern media, Abney's works may seem subtly familiar, but they contain a depth of embedded critique on politics, race, sexuality, and celebrity. Recently, Abney has drawn from pastoral painting traditions, centering Black subjects to celebrate their resilience and draw attention to histories of exploitative labor; for Fishing Was His Life, she focuses on Black fishing culture and labor through painting and collage. As part of this exhibition, Abney will also apply her bold aesthetic language to the Henry's exterior banner.