Hong Sang-soo’s 18th feature—all of them absurdist but humanely perceptive variations on the intractable nature of romance between men and women—sees him dolefully refining his abiding conceit, as ever played out over long, fumbling conversations fueled by soju and beer. Youngsoo, an artist whose mom is dying, is faced with jealous doubts after his imbibing girlfriend Minjung is rumored to be fooling around with other men. Hong envisions desire as its own form of duplicity, which structurally plays out in the film’s elusive and illusory replication of Minjung, who singularly (or collectively?) busts the myth of a “truly impressive man.” JAY KUEHNER