SIFF Says: Challenging the media narrative of her long career, Nothing Compares is an emotional and inspirational journey into the life of trailblazing Irish multiplatinum-selling musician Sinéad O’Connor and her dedication to speaking truth to power.

Stranger Says: Kathryn Ferguson’s documentary Nothing Compares makes several mistakes in its noble mission to recover the mostly unhappy pop career of the Irish-born singer Sinéad O’Connor, who now goes by Shuhada Sadaqat. Its main mistake is to connect O'Connor's cancelation in 1992 for ripping a picture of Pope John Paul II on Saturday Night Live with the pink pussy hats movement that erupted with Trump's defeat of Hillary Clinton in 2016. There is little to almost no live wire between the two forms of protest.... Lastly, the documentary fails to fully appreciate the greatness of O'Connor's talent, which did not stop growing after the United States canceled her (she still had a major following in Iceland and, curiously enough, Poland). The music that made her famous in the 1980s, and that got her a history-making spot on Saturday Night Live in 1992, was only a point of departure. For example, what one finds in "What Your Soul Sings," the second track on Massive Attack's 2003 100th Window, is an O'Connor now in the second half of her 30s, whose genius is far from exhausted. Most pop stars have nothing new to say or offer after a few years in the business. This wasn't the case with O'Connor. Late in a career that started when she was barely not a girl, 19, the Irish singer possessed a voice that was more haunting and beautiful and tender and vital than ever before. O'Connor, who lost her son recently, joy still belongs to you. CHARLES MUDEDE