You might have seen Jeremy Okai Davis's work in his 2022 solo exhibition A Good Sport, which saw the painter investigate the experiences of Black Americans in traditional sportsmanship roles within the rigid confines of athleticism and academia. This time around, Davis has taken on a curatorial role—Mélange pulls together an "array of voices and creative expressions" from printmaker Rebecca Boraz, North Carolina-based artist Maria Britton (who uses used bedsheets, dry permanent markers, and newspapers as artistic material), Bronx-born collage artist Anthony R. Grant, and Chris Lael Larson, who "culls riches from the everyday absurd." by Lindsay Costello