In Pace Taylor's 2022 Nationale exhibition Breathe when you need to, the painter developed a warm-hued dialogue with the surrealist gender-nonconforming artist Claude Cahun, exploring the mask as an identity-driven self-preservation tool and domestic spaces as sites for unmasking. Now, in Before the Doors Open, Taylor draws from references to Joan Didion(!) and Shirley Jackson(!!!), reckoning with "self-imposed isolation, agoraphobia, and their cyclical impact on the creative process." The series of framed paintings and smaller watercolors is lush and smooth—previous fans of Taylor's work won't be disappointed.