In last year's Pathways at Seattle's Winston Wächter Fine Art, Joe Rudko focused on "hyper-specific abstraction" through found photo collages that created curious networks of memory. In Scrapbook, the Washington-based artist continues to pull at the threads of collective memory through Bauhaus-influenced photo collages and sculptures that reference textiles, mosaics, and paintings. I'm intrigued by Rudko's use of found photographs collected from shops, which he layers with scraps of his personal ephemera. by Lindsay Costello