Originally published on our sister site, the Portland Mercury.
The schedule hints at themes of personal journeys, communal healing, cosmic connections, and sensory immersion. After a fully-virtual program in 2020 and a hybrid experience last year, this year will be the most IRL version we’ve had since pre-pandemic times, so ideas of shared and embodied experiences feels right. Check out the full schedule to choose your own adventure, or kick back and let me do the curating for you with the following TBA picks:
San Cha Past Event Like List
Los Angeles-based musician San Cha made her TBA debut in 2019 at a packed-to-capacity performance at the lumber room – so packed that many people, including me, couldn’t get in. (Sad trombone.) So it’s fantastic news that San Cha is bringing her blend of traditional Mexican and contemporary musical genres and her incredible costumes and stage presence to TBA’s opening night—in PICA’s much roomier main venue on North Hancock. Local DJs Dez Ramirez (AKA La Cosmica) and Diana Suarez (AKA Buena Suerte) will keep the party going until closing time. If you missed San Cha the first time around, this is your chance to experience the magic! And if you were one of the lucky few in attendance back in 2019, you’re probably already making plans to go. (Thurs Sept 8, 8 pm at PICA, 15 NE Hancock, suggested donation of $0–$20)
Sasha Wortzel, Dreams of Unknown Islands Past Event Like List
I will never not be charmed by the experience of holding a seashell up to my ear “to listen to the ocean,” even though I know the sound I’m hearing is my own blood rushing through my head. Florida artist Sasha Wortzel must feel the same way, judging by the 3D-printed conch shells featured in their exhibition Dreams of Unknown Islands. Instead of mimicking the tides, Wortzel’s shells whisper traditional Jewish prayers of spiritual fortitude in the face of grief, recited by the artist’s friends and family. The grief in question here is the ecological kind—the kind of sadness you might feel when wildfire smoke wafts into town each summer, or when wetlands get paved over by luxury resorts. Video projections of sunsets and sea turtles contribute to a peaceful, meditative atmosphere conducive to working through tough emotions. (Wortzel will provide a brief talk about Dreams of Unknown Islands on Sat Sept 10, noon, Reed Chapel in Eliot Hall, 3203 SE Woodstock, FREE; the exhibition opens immediately following the talk, 1-3pm, and runs through Sun Nov 20, Cooley Gallery, 3203 SE Woodstock, FREE; This is an Address: The Films of Sasha Wortzel Past Event Like List screens with artist Q&A, Sept 11, 2 pm at the Hollywood Theatre, 4122 NE Sandy, $7)
Sir Richard Bishop, Lime Rickey International, and Descending Pharaohs, Arab.AMP Live Past Event Like List
Sunday night performance's Arab.AMP is a mix of psychedelic, experimental, and folksy, with a throughline of Southwest Asian and North African (SWANA) musical influences tying it all together. Sir Richard Bishop (founding member of the long-running band Sun City Girls, part-time antiquarian bookseller, not technically a real “Sir”) contributes baroque guitar stylings; performance artist Lime Rickey International brings green-tinted synthy drones; and Portland’s Descending Pharaohs provide Arabic psych-rock vibes. (Sun Sept 11, 8 pm at PICA, 15 NE Hancock, sliding scale of $5–$20)
Nana Adusei-Poku, NIGHT SCHOOL: The Black Melancholic Past Event Like List
Weepy, pale, Victorian ghost ladies mourning their long-lost-loves are all well and good, but why should they have a monopoly on the visual culture of sadness? Curator Nana Adusei-Poku offers alternative iconographies of mourning, loss, and grief in this lecture, starting with the medieval alchemical idea of “black bile” as a source of melancholy and connecting the dots between art history, autobiography, and contemporary art. Adusei-Poku’s goal in this lecture, and in the recent group show she curated at Bard College in New York, is to unsettle one-sided ideas about who is allowed to be sad, making space for visions of despair that can actually inspire comfort and connection. (Wed, Sept 14, 8 pm at PICA, 15 NE Hancock, sliding scale ticket cost $5–$20)
Chloe Alexandra Thompson and DB Amorin, They Can Never Burn The Stars Past Event Like List
This collaboration between video artist DB Amorin and sound artist Chloe Alexandra Thompson is billed as “engaging sub-bass tones to high-pitched sirens whose interactions entangle the spatial experience of listening with the expanded field of embodied proprioception.” That’s a lot to unpack, so if you’re short on time, here’s the simple version: This multimedia performance will involve sound you can literally feel—immersive visuals to take you out of your head and plant you firmly in your physical, sensory experience. They Can Never Burn the Stars is part of the ongoing Indigenous-led curatorial series Knowledge of Wounds. (Thurs Sept 15, 9 pm, PICA, 15 NE Hancock, sliding scale ticket cost $5–$20)
UwU Collective, UwU & Friends Past Event Like List
After absorbing so much art, you're going to be full of inspiration, wonder, and energy—and that means it’s time to dance! UwU Collective's massive crew of Portland-based QTBIPOC DJs and multimedia artists promise a night of underground music and fun (check out their show on XRAY for a taste of what they’re all about). UwU aims to create futuristic queer utopias through partying, which sounds like a pretty magnificent way to close out TBA 2022, if you ask me. (Sat Sept 17, 9 pm at PICA, 15 NE Hancock, sliding scale $5–$20)
Find the rest of this year's TBA schedule here. For a more personalized experience, make your own list of things you'd like to see at this year's festival!