Sean Hughes once said that “everyone grows out of their Morrissey phase… except Morrissey.” Well, all due respect, etc., but the Wamu Theater will be filled with close to 4,000 people who beg to differ with the late Irish comedian/writer/DJ. The Morrissey phase is a complicated matter, and Morrissey himself doesn’t do much to make it easier, between the increasingly reactionary public pronouncements and the late-period music—most recently the keyboard-y “Spent the Day in Bed” (which is qg, actually)—one strains to love. And yet, the love of Morrissey is not easily renounced, because it tends to be foundational, in a way that is unique among lovers of pop music. It’s the kind of love you might feel you ought to grow out of, but then, without it, like, who would you even be?
by Sean Nelson
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