This week, our music critics have picked everything from Father John Misty Past Event Like List to Patty Griffin Past Event Like List to Hoop Past Event Like List . Follow the links below for ticket links and music clips for all of their picks, and find even more shows on our complete music calendar. Plus, check out our arts' critics' picks for the 50 best things to do this week.
Found something you like and don't want to forget about it later? Click "Save Event" on any of the linked events below to add it to your own private list.
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MONDAY
CLASSICALIn the Spotlight: Hannah Kendall
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Seattle Symphony presents the US premiere of The Spark Catchers, a luminescent number from British (and millennial!!) composer Hannah Kendall. The composition conveys such a strong sense of narrative and action-adventure drama that it could be the soundtrack to a lost scene from Star Wars. The piece, commissioned by the BBC, has been getting good reviews. âConfident,â says Classical Source. "Rhythmically incisive," says the Guardian. Stick around after the show to check out the symphony's new innovative space, and also to talk shop about chamber music with Kendall. RICH SMITH
Cowboy Junkies
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The first time I ever heard Cowboy Junkies was on a dirty, beer-stained couch at the radio station I used to help run in college. My friend and I were supposed to be studying, but we ended up just lying around listening to music. She put on their cover of Velvet Undergroundâs âSweet Jane,â which seemed to fit every mood I could ever have at 21âmelancholy, meditative, cautious, ready to yield to the good things in life. Like the rest of the bandâs work. Cowboy Junkies are now celebrating 30 years together as a band. Cheers to that.JASMYNE KEIMIG
The Cult
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Punters love the Cult, and they rightly should expect this night to be filled with the Brit bandâs rock swaggery. That said, their popularity always surprises me. Back in the 1980s, even with lots of radio play, they were almost immediately dumped into the also-rans file as their pop ascension was stymied by a first single riff in âLove Removal Machineâ seemingly copped from the Stonesâ âStart Me Up,â and then by the arrival of GnR. That was then, though, âcause now itâs easy to hear how they evolved from new romantics into heshers who, on balance, are way better than most other â80s hair bands. MIKE NIPPER
TUESDAY
CLASSICALIn the Spotlight: Bolcom, Jolley, Poteat & Hausmann
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Seattle supports a pretty robust scene of local symphonic composers. Seattle Symphony has plucked out a few of the major playersâWilliam Bolcom, JĂ©rĂ©my Jolley, Ben Hausmann, and Angelique Poteatâand given them the room for the night. Bolcom's piece is a fun ragtime jam, Poteat's Ripples of Possibilities features meditative and warbly clarinets that break into madness, Hausmann's Sonnet for Eternal Loveliness is just sort of pleasant and at its best occasionally sounds like Vince Guaraldi's A Charlie Brown Christmas, and Jolley's (contro-)clessidra I & IV combines electronic instruments with regular ones and basically sounds like it looks. RICH SMITH
Connan Mockasin, Molly Lewis
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Lovable, experimental, "fake jazz" genius Connan Mockasin writes funny, sweet, psychedelic pop and lounge songs about romantic yearning ("Forever Dolphin Love"), magic ("Faking Jazz Together"), and the real-life encumbrances of modern sexuality ("Charlotteâs Thong"). Both his production styleâhe recorded his second album Carmel in a Tokyo hotel roomâand his subject material speak to a deep internal world, spritzed with humor. Mockasinâs Jassbusters was one of my favorite records of last year, and the Genius page which sought to log the lyrics of "Charlotteâs Thong" is a piece of art. Who among us can say what happened to Charlotteâs thong? SUZETTE SMITH
Father John Misty, Jason Isbell and the 400 Unit, Jade Bird
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Father John Misty is a perfectly perfunctory performer. When I saw him at Sub Popâs 30th Anniversary Party last summer, he hit every note, every dance move, every guitar strum exactly as he should. But it was still hard to connect with him behind those shades. It was like he was performing in his sleep. Well, what do performers owe their audiences, anyway? FJM released the pretty good Godâs Favorite Customer last June, which was a decidedly less preachy effort than his third album, 2017âs Pure Comedy. Godâs Favorite Customer found FJM just as down, just as out, just as witty, just as self-centered as heâs ever beenâlike we like him. JASMYNE KEIMIG
NPR Music's Tiny Desk Contest on the Road
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Join KEXP and NPR Music staff for live performances by 2019 Tiny Desk Contest winner and Alaskan singer-songwriter Quinn Christopherson (who, endearingly, didn't own his own guitar until after he received the indie honor) and additional guests.
TUESDAY-WEDNESDAY
BLUES/COUNTRY/FOLKRickie Lee Jones
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Rickie Lee Jones sang âSympathy for the Devilâ (prerecorded) as I read how Trumpâs (first) travel ban got definitively thumped by the courts: That night, her manifestation of pure evil/egoâtoting its crimes in a failing rasp, a boast its only potencyâleft me reduced to a toothless pile of wrinkles camped out by the shitter in Joeâs Bar & Grill. Madeleine Peyroux gives us a healthy, sensible Billie Holidayâbit of a creak, but sweetness at the bottom in each note. Her âDesperados Under the Eavesâ turns melancholy with elegance, a move that angers âalcoholic puristsâ out there on YouTubeâbut I say some people fade (alcoholically) with melancholy elegance. Wrong. Horrible. But sometimes people disappear (slowly) into air-conditioner hum. ANDREW HAMLIN
WEDNESDAY
BLUES/COUNTRY/FOLKSOAK., Fenne Lily
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Northern Ireland's Bridie Monds-Watson, who plays indie-folk as SOAK., will come through town on the heels of her introspective 14-track sophomore album, Grim Town. She'll be joined by Fenne Lily.
Rain City Symphony Spring Concert
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In their annual springtime concert, Rain City Symphony will perform orchestral works by Paul Dukas, Wolfgang Amadeus Mozart, and Jules Massenet.
The Art Gray Noizz Quintet, the Tom Price Desert Classic
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Any band boasting former members of Lubricated Goat and Live Skull will get my attention. So itâs pleasing to report that the Art Gray Noizz Quintet live up to expectations. The Brooklyn brutesâ recent âA Call to Youâ/âWon't Say It to My Faceâ single pummels, whooshes, and oscillates like Hawkwind on a tequila bender. Itâs pugilistic rock with gravel-voiced singing that aspires to space, but itâs too busy kicking your ass to achieve stellar liftoff. (Key detail: The drummer's name is Bloody Rich.) And that resultant friction is what makes the music so compelling. DAVE SEGAL
Moveable Mirror: Rudresh Mahanthappa, Eric Revis, Dave King
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Rudresh Mahanthappa is an American saxophonist who combines the Carnatic music of his Southern Indian heritage with jazz, funk, hip-hop, and other Western genres. He brings a hybridized vigor to these styles, blowing magniloquent gusts of high-energy virtuosity, his mad fluency reminiscent of Sonny Rollins. So it's not surprising that Mahanthappa and his Moveable Mirror trio with drummer Dave King (the Bad Plus) and bassist Eric Revis will interpret Rollinsâs 1958 Blue Note LP, A Night at the Village Vanguard, as well as his own galvanizing and spiritual compositions. Mahanthappa has played with Jack DeJohnette, Vijay Iyer, and Steve Lehman, among others, so you know he's the real deal. This is destined to be one of the best Jazz Alley bookings of 2019. DAVE SEGAL
Nick Murphy
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Now performing under his given name after years as Chet Faker, Nick Murphy has a new album out. And boy is he ready to tour supporting it. Run Fast Sleep Naked wasnât as warmly received as the stuff under his now-retired moniker. Chet Faker was a bit more bedroomy. Chet Faker was an Australian dude trying his hand at both soul and electronica. Chet Faker covered âNo Diggity.â This new non-Chet era of Murphyâs career often finds him singing over an orchestra with a strange, faux Americana earnestness about him. In any case, go forth and cross your fingers heâll hit you with some âBirthday Cardâ at his live performance. JASMYNE KEIMIG
THURSDAY
ROCK/POPRob Thomas, Abby Anderson
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Relive the most earnest moments and deeply alt sounds of the '90s and '00s with slick Matchbox 20 frontman Rob Thomas and opener Abby Anderson on their Chip Tooth tour.
THURSDAY-SUNDAY
BLUES/COUNTRY/FOLKJohn Mayall Band with Carolyn Wonderland, Greg Rzab and Jay Davenport
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I know lots of folks like to deride any and all strictly blues aspects of ROCK. Y'all, I understand, it didn't take long after blues relocated to the city then went hippie for things to turn a little stock-sounding and "bar" band-ish, but John Mayall was an early groundbreaker (pun intended). He is a piece in the puzzle of our rock 'n' roll history. In fact, HUNDREDS (okay, not hundreds, but a handful) of them whoâd become rock GODS passed through his group, the Bluesbreakers: Eric Clapton, Peter Green, Mick Taylor, Mark Almond, and Harvey Mandel! And all the while, Mayall held true to his singular, narrow vision: Play them blues and play 'em RIGHT! Now, he's 84 years old and still going strong! MIKE NIPPER
FRIDAY
FUNK/REGGAEEldridge Gravy & the Court Supreme, Black Cherry Crush, High Pulp
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High Pulp have been building a low-key buzz for a minuteâbut for no good reason, I hadn't listened to them until this month. My bad. The Seattle 10-piece generate complicated, feel-great instrumentals that should please fans of early Santana, folks into expansive funk and fusion, and jam-band aficionados. High Pulpâs party music inspires communal, celebratory sensations without the sweaty-handed corniness that often accompanies this approach. A couple of listens to their 2018 album Bad Juice will convince you theyâre one of the most interesting acts in town. It makes perfect sense that High Pulp are opening for fellow big-band party-starters Eldridge Gravy. DAVE SEGAL
The Heavy
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You know the Heavy from their 2006 single âHow You Like Me Now?â Even though it only peaked at No. 122 on the Billboard 200, that track was tapped everywhereâcommercials (Kia Sorento SUV), films and trailers and closing credits (The Transporter Refueled, Horrible Bosses, The Fighter), video games (Borderlands 2, Forza Horizon 2), TV shows (Community, Suits), TV theme songs (Intentional Talk on MLB Network), and sporting events (itâs Radim Vrbataâs personalized goal song, and it plays whenever he scores during Vancouver Canucks home games). The UK group hasnât strayed far from making hard-ass-shaking rock heavily dosed with crunchy funk and neo-soul, and they land in town behind their fifth and latest album full of it, Sons. LEILANI POLK
Gretchen Grimm, Solitaire, Abbey Blackwell, The Zig Zag Lady
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Four women from local bands will go solo:Â The Zig Zag Lady Sound Experience (Erica Miller of Casual Hex and Big Bite) Gretchen Grimm (of Chastity Belt and Woo Girls), Abbey Blackwell, and Solitaire (Candace Harter of Darto).Â
Mudhoney, The Fucking Eagles, The Drove
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When I think about Mudhoney, I always think about Citizen Dick. Matt Dillonâs fictional band in the 1992 grunge rom-com Singles parodies the Mudhoney hit âTouch Me Iâm Sickâ with a song called âTouch Me Iâm Dick.â Thereâs a reason Cameron Crowe chose that song to poke fun at: Mudhoney are Sub Popâs flagship band, and that 1988 single remains a fiery, headbanging classic. And so does the band. While so many groups associated with that six-letter G word have gone the way of Dillonâs long locks, Mudhoney have continued to shred with sinister distortion, Mark Armâs piercing vocal howl, and plenty of feedback that never diminishes with each new album. Unlike Croweâs film, Mudhoney arenât a charmingly dorky time capsuleâtheyâre a band thatâs remained effortlessly cool and still totally rocks. ROBIN EDWARDS
Summer Cannibals, Blushh, Dreamdecay
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Here's Sean Nelson with an endorsement: "There's no delicate way to say it: Summer Cannibals fucking rule. They play with the punishing urgency of young Superchunk, songs full of power and abandon but also set alight by excellent pop instincts and shrewd songwriting. Their third album, Full of It, has been a mainstay since its 2016 release, and their live shows are exciting in a way rock bands often don't even bother aspiring to anymore. Too bad for those losers." See them after opening sets from Shab Ferdowsi's fuzzy pop project Blushh and local punks Dreamdecay.
W Music Spotlight: La Fonda
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Join local indie dream-pop sextet La Fonda for some dreamy jams full of '60s "surf-esque" guitars and swoony synths.
FRIDAY-SATURDAY
ELECTRONICParadiso Festival
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Paradiso is the PNW's premier festival of WUB-WUB-WUB, colloquially known as brostep, also called EDM, which is short for "electronic dance music" (you're welcome, grandpa). Headliners include Benny Benassi, Alison Wonderland, Kaskade, Elephante, and Skrillex. Trust that glow sticks will be wielded, hearts broken, and vape pens smoked.
SATURDAY
BLUES/COUNTRY/FOLKPatty Griffin
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Chances are you've already heard the music of Patty Griffin. Her songs have been recorded by Emmylou Harris, Willie Nelson, Dixie Chicks, even Bette Midler. But you haven't really, truly experienced Griffin until you hear her perform her own stellar originals. And her fifth album, Children Running Through, is a perfect place to start, showcasing a voice as strong and versatile as her compositional chops. Griffin waxes jazzy on the opening "You'll Remember," lets loose with a fiery blues/gospel number on "Up the Mountain (MLK Song)"âwhich no less a personage, the King of Rock 'n' Soul Solomon Burke, recently cut, tooâand whips through the kiss-off ditty "Getting Ready" with hell-raising fervor. She's every bit as gifted as any of her A-list patrons, and deserves just as much public recognition. KURT B. REIGHLEY
Massive Monkees Day
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Massive Monkees Day is a true Seattle institution that is both entertaining and drenched in positivity. The focal point of this breakdancing holiday arranged by Seattleâs legendary B-boy/B-girl crew Massive Monkees is the Pro Breaking Tourâsanctioned battle royale, which this year has moved to the Showbox. The world-class dancers (who will be traveling from all over North America, Asia, and Europe to compete) and the DJs who accompany them create an impressive musical/athletic spectacle, and the familial vibe that has helped to keep the breaking community intact runs strong throughout. TODD HAMM
Seattle Repertory Jazz OrchestraâRay Charles: I Can't Stop Lovin' You
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Witness the massive legacy of Ray Charles with this performance by the Seattle Repertory Jazz Orchestra of Charles classics and rare big band scores played on the road by the Ray Charles Orchestra.
Yungblud, Saint PHNX
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If I were walking down the street in 2007 and someone was blasting Yungbludâs âLonerâ out of their car, I wouldnât have batted an eye. The artist otherwise known as Dominic Harrison sounds so ska-meets-suburban-brat-from-the-UK that he almost transcends time. And before you ask, yes, Yungblud does love Arctic Monkeys. Despite the rather exhausting image he puts out, Yungblud fancies himself a socially conscious singer. A cut off his latest studio album, 21st Century, called âMachine Gun (F**k the NRA)â is a comment on his feelings about gun culture in the US. He swings mainstream pop as well, appearing on â11 Minutesâ alongside trashy pop mainstay Halsey and Travis Barker (?). Yungblud is supported by Glaswegian fraternal pop duo Saint PHNX. JASMYNE KEIMIG
The Middle Ages, Seablite, Neutrals
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While my âeditorial focusâ IS on tonightâs kick-ass bill, I gotta holler: If you ainât been down to Southgate Roller Rink yet, turn up early and get an hour of skating in. Cool? Okay, I can't simplify headliner Seablite's SOUND by calling them anything obvious, âcause they play a kind of melodic, thickly atmospheric sweetness framed by delicate paisley-pop nods and sideswiped by a slight shoegaze fixation. Um, theyâre just coolâso, kids, dose accordingly. Also kicking up dust tonight will be local punks Middle Ages and, from Oakland, Neutrals, a smart UK-style punk group. MIKE NIPPER
SUNDAY
BLUES/COUNTRY/FOLKIndigo Girls, Sera Cahoone
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Amy Ray and Emily Saliers are still Indigo Girls (the band's approaching 34!) and still folk-rockin'. They'll perform on the bucolic north meadow of the Woodland Park Zoo as a part of the annual summer concert series, ZooTunes
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Kishi Bashi, Takenobu
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The fourth and latest album from Kaoru Ishibashi (professionally known as Kishi Bashi) is bright, poignant, heartfelt, and infused with a sense of hope, even during its more melancholy moments. From the breezy, acoustic-guitar-picked opening of "Penny Rabbit and Summer Bear" with its Harry Nilsson "Everybody's Talkin'" feel, to the sweeping symphonics and forlorn beauty of "Summer of '42," to the twangy fiddle-rousing banjo-plucked closer "Annie, Heart Thief of the Sea," Omoiyari is a stunner that remains uplifting despite its bleak inspiration: the WWII internment of Japanese Americans. Omoiyari is a bit of a departure from Kishi Bashi's previous efforts, folkier while conversely more finely composed and orchestrated. Instead of mostly producing the entire album himself, the Berklee-trained musician (who sings and plays violin primarily, but also guitar and keys) brought on a band (including frequent collaborator Tall Tall Trees on bass and banjo) and some chamber players to back him up. It's also more political, though the parallels between what happened then versus what's happening now are examined more deeply and thoroughly in accompanying documentary Omoiyari: A Songfilm by Kishi Bashi, due out sometime next year. LEILANI POLK
Steve Hackman's Harder, Better, Faster, Stravinsky
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Composer and producer Steve Hackman will lay out the full spectrum of Stravinsky to Kanye in this pop-classical mash-up concert that matches composers with chart-toppers.
Mama's Thirsty: A Queer Lady Hangout Pride Edition!
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For this installment of a series highlighting womxn- and queer-fronted music acts in Seattle, hosted by Caela Bailey as always, enjoy a live set by Guayaba with burlesque by "2018 Queen of Oregon" Nox Falls, lap dances by "the gorgeous Kiki and friends," and DJ sets by PepTalk.
Seattle Repertory Jazz OrchestraâRay Charles: I Can't Stop Lovin' You
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Witness the massive legacy of Ray Charles with this performance by the Seattle Repertory Jazz Orchestra of Charles classics and rare big band scores played on the road by the Ray Charles Orchestra.
Duff McKagan, Shooter Jennings
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Ex-Guns N' Roses bassist and beloved PNW resident Duff McKagan will hit the stage with his backing band alongside a support set by Shooter Jennings.
Hoop, Fell Runner, Baby Jessica
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Former Stranger contributor Robin Edwards wrote: "When I first saw Hoop, all that kept running through my head was a constant stream of 'Wow, I love this band.' Caitlin Roberts, Leena Joshi, and Pamela Santiago trade off singing on the dreamiest friendship-bracelet pop songs, full of tender harmonies and magical guitar lines and introspective lyrics that tug gently on my most sensitive heartstrings." Tonight, they'll perform with LA-based experimental rockers Fell Runner and local rock trio Baby Jessica.
Stephanie Anne Johnson & The Highdogs, The Junebugs
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Tacoma-bred R&B/soul artist Stephanie Anne Johnson (who was featured on the 2013 season of The Voice) will be backed by her band and welcomed with an opening set from down-tempo indie rockers Junebugs.