Seattle-based artist Ariel Parrow deals in the visual language of capitalism and consumerism—slick fonts, even slicker subjects. You might recognize her sculpture work from XO Seattle which featured "HELLO THERE," an installation that shifted depending on where you stood in the room. Parrow's show at Gallery Ergo will feature a body of new work, featuring both paintings and sculptures. She often paints glimpses of people's bodies that look eerily familiar but in a context you can't quite recall. It's spooky and beautiful all at once. by Jas Keimig