Look How Far We've Come: A Queer Art Show 902 Feet in the Air is literally that—a bunch of queer art really high off the ground. Curated by Factory director Timothy Rysdyke, the show is featured right off the elevators at the 360-degree Sky View Observatory in the Columbia Center, Seattle's tallest skyscraper. And while I'm usually not super thrilled at the idea of grouping work solely by marginalized identity, this show works in its straightforwardness and the talent of all involved. Sequoia Day O'Connell's use of sickly greens and blues and bright neon pinks and oranges is an unexpected color combination that really works. After a night performing as Femme Daddy, Jessica Marie Mercy presses her made-up face into a baby wipe, creating these distinct portraits of drag, gender, and labor. Julian Peña's Black John Doe has a beautiful cool palette. Its perspective is like looking at a body through a pane of dewy glass, a slowly uploaded picture of a friend, someone who you know, but can't quite place, an idea, a projection, etc.
by Jas Keimig
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